Can we agree that the holds process is the most inefficient function of the entire Toronto Public Library?
In typical cases, I count almost 30 steps per item! Continue reading
If the only thing Cathy Raine can muster a complaint about is filling out the least-used form in the entire system, no wonder TPL management likes her enough to give her an official guest post.
The library’s policies for collecting TV shows on DVD are incoherent and underspecified in the first place and simply are not followed in any event. The notorious blue suggestion form merely states that “TV series are purchased selectively due to the volume of requests and cost for each set/season.” They mean due to the number of TV shows on DVD, which I submit is lower than the number of feature films on DVD. Cost is an argument I just do not accept given that the library typically buys 112 copies of the most popular movies (the infamous Pirates of the Caribbean coefficient).
I’ve also been told – second-hand, during Collections Development’s failed shaming process – that TPL only buys new and “really popular” series.
All this is false. The library buys TV series more or less randomly. Just as examples:
- Warehouse 13
- The Big C
- Call Me Fitz
- Breaking Bad
- Mildred Pierce
- Countless anime series only Sam at QS and legions of teens can tell apart
Are all of those new and “really popular”? Don’t be silly. Where are “really popular” shows like The Simpsons and Family Guy? And I was the one who had to donate Futurama (Seasons 5 and 6 only, DVD generic no-hold at Jones).
I have elsewhere shown that the library considers British shows classy and desirable by default and pretty much accepts everything that comes through the door. Sherlock? Absolutely. But the Gavin & Stacey Christmas special? What the hell is that, and why is it in our library?
TPL bought Being Human (U.K. and “U.S.” versions). Fine. It bought the U.K. Wallander, but then, just in the last week or so, the original Swedish Wallander showed up. Also fine. Except the library bought the entire run of the Swedish version. That’s 100 discrete pieces.
So “cost” is an issue? Please don’t patronize us. Cost is not an issue. The collections budget has not been reduced (yes, inflation eats into it, but the Board does not govern inflation) and the library has all sorts of money for a few TV shows on disc.
Here are some series the library also owns (bits and pieces only, in typical cases):
- Abbott & Costello
- The Apprentice (but we “won’t purchase reality series”)
- Barney Miller
- The Fall and Rise of Reginald Perrin
- Kids in the Hall
- Perry Mason
- Get Smart
- Gilligan’s Island
- Six Feet Under
- “U.S.” Queer as Folk
- Twilight Zone
- Roots (!)
Given this list, don’t you think there is at least a half-assed effort underway to collect “classic” TV series? I do. What, then, could we add? Here’s a starter set.
- Twin Peaks
- Mary Hartman, Mary Hartman
- My So-Called Life
- Space: 1999
- Intelligence (my sole Canadian title)
I see some issues here.
Buying the full series. MASH has 300-odd episodes. That’s just an example, but I can see how the library would hesitate to buy certain titles because of the implicit expectation they’d buy the whole run. (But Swedish Wallander? No problem.) The full series of MASH runs $115. It’s affordable given the fact I have a library book published by Palgrave whose prominent price sticker reads $121. (The library would then give you exactly one week to watch all 36 DVDs.) The full run of Twin Peaks costs less than $50.
Number of copies. Series like Angel and Buffy are most easily found at the North York Central Library Browsery. For classic titles, I could see how we could squeak by with three or four copies – two no-hold copies at the respective Browseries and one or two holdable copies. That makes the project affordable.
The way I see it, the proposal I am making here respects the actual scattershot collection habits of the library, adds TV series that the biggest public library in the country needs to have in stock, and stays within budget.
So! What other series should we suggest?
This may be the only time I actually solicit comments. What other classic TV series should be collected? (But be a pal and don’t waste our time with Diff’rent Strokes or The Trouble with Tracy or similar ringers.)
(UPDATED) I was at Reference this morning for the whole shitshow that was TRL security’s handling of a fire. The fire was caused by careless workmen. I smelled smoke, but thought it was due to welding. Nope.
The only Caucasian security guard there dicked around telling these high-school dropouts unequipped with fire extinguishers to “put it out!” Then, flip phone pressed to ear, I saw him wander around and fiddle with control panels.
I called the goddamned fire department. To my surprise, they claimed that apparatus was already on the way. Then, minutes later and amid extensive smoke, somebody figured out that the building had to be evacuated.
Badly handled all around. This time, not fatally.
And? I saw Spokesgay Ed Karek wandering by outside not seeming visibly concerned or engaged.
Of course I’m kicking myself for not walking right over, pulling back the (much-mentioned) “tarp,” and asking these Einsteins if they had a fire on their hands and calling 911 right then and there. I’m also tired of TPL’s, and really Toronto’s, endemic mediocrity and unwillingness to actually do something right, like call the fire department right away and get everyone the fuck away from the giant clouds of billowing smoke that I saw engulfing the entire west side of the ground floor.
So: Think my standards are too high? Of course you do. But you weren’t fucking there.
While making a cup of tea yesterday afternoon I realized I am so upset about this incident because this is the third fire I have lived through and they always happen the same way: Being aware of smoke in the air but not quite aware enough to do something about it, like GTFO. Yesterday I GedTFO.
I didn’t tell you that I later saw one of the construction workers directly involved in this nonsense standing inside the glass walls of the abomination known as the Cube wearing a shit-eating grin as he photographed the numerous firetrucks.